A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending. In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will...(展开全部)

In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his childre...(展开全部)

In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return. So begins Julian Barnes’s first novel since his Booker-winning The Sense of an Ending. A ...(展开全部)

In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his childre...(展开全部)

In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return. So begins Julian Barnes’s first novel since his Booker-winning The Sense of an Ending. A ...(展开全部)

A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending. In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will...(展开全部)

Noise is a widely recognized problem and health concern in the modern world. Given the importance of managing noise levels and developing suitable 'soundscapes' in contexts such as industry, schools, or public spaces, this is an area of active research for acousticians. But noise, in the sense of dissonance, can also be used positively; composers have employed it from Baroque m...(展开全部)

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place: [Attali] is the fir...(展开全部)

马里奥•巴尔加斯•略萨Mario Vargas Llosa 著名作家，世界小说大师，被誉为“结构现实主义大师”，囊获全球重要文学大奖，包括诺贝尔文学奖：1985年获海明威文学奖，1986年获西班牙阿里图里亚斯王子文学奖，1988年获美洲金质奖章，1994年获西班牙文学的*高荣誉——塞万提斯文学奖，1999年获以色列耶路撒冷文学奖，2000年获梅嫩德斯•佩拉约国际奖，1976年被推选为国际笔会主席，2010年获诺贝尔文学奖。

The Time of the Hero by Mario Vargas Llosa is ‘a work of undeniable power and skill’ (Sunday Telegraph) set in a military academy in Lima, focusing on a group of cadets whose pranks set of a cycle of betrayal, murder and revenge which jeopardizes the entire military hierarchy. The Time of the Hero has been acclaimed by critics around the world as one of the outstanding Spanish ...(展开全部)